bevanddara

Daily Inspirations and Adventures

Red, White and Fiber

leave a comment »

Ironically, Ellen sent the following articles over today for me to share with you. 

What’s Red and White and Quilted All Over?

Wall Street Journal

By KATHERINE CLARKE

New York quilt collector Joanna Rose received her first quilt, a red and white blanket with a schoolhouse design, upon the birth of her first child in 1957. She hasn’t stopped collecting since and has amassed more than 1,300 quilts. When Ms. Rose, who belongs to a prominent New York real-estate family, recently turned 80, she decided to put her entire collection of red and white quilts—some 651—on public display.

 ICONS quilts

Gavin Ashworth

A vortex quilt by an unidentified American, 1890-1910, from Joanna Rose’s collection, part of the Armory show.

Hosted by the American Folk Art Museum, “Infinite Variety: Three Centuries of Red and White Quilts” at the Park Avenue Armory, beginning next Friday and ending March 30, will be the largest textile exhibition ever presented in New York City.

Red and white is a classic color combination in quilt making, popular since the early 19th century as a result of the remarkable colorfastness of Turkey red dye, discovered in the Mediterranean and derived from madder root. Ms. Rose’s quilts, made in a variety of patterns and designs, span the 19th to the 21st centuries. No two are identical, and most bear the unique signatures of their makers, sewn neatly at the corners. Elizabeth V. Warren, the exhibit’s co-curator, discovered that two of the quilts, bought separately years apart, were created by the same quilter.

To display the collection, the exhibit’s curators decided on a strikingly modern design. The American Folk Art Museum held a competition for the quilts’ display, inviting submissions from a range of design firms, and ultimately decided on Thinc Design, a New York-based firm that is known for contemporary work. The company is responsible for the interiors of the National September 11 Memorial & Museum and the Beijing Olympic Games Pavilion.

Thinc’s design organizes the quilts into tiers and spirals, ascending to the rafters in three-dimensional circular pavilions and transforming the 55,000-square-foot space of Manhattan’s Wade Thompson Drill Hall at the Armory. “It’s more of a happening than an exhibit,” says Ms. Warren, comparing the project to an indoor version of Christo and Jeanne-Claude’s “The Gates,” a site-specific project featuring 23 miles of gates positioned around Central Park in 2005.

A 2010 Quilting in America survey, conducted by TNS Global Inc., indicated that quilting is now a $3.6 billion industry, with upwards of 21 million quilters active in the U.S. alone.

The auction market for quilts has fallen somewhat from its peak about 20 years ago, when quilts became extremely popular with Americana collectors. In 1987, a Baltimore Album Quilt dating to 1840 sold for $176,000 at Sotheby’s; a pictorial Civil War-era quilt sold for $264,000 at the auction house a few years later.

Though the market has cooled off somewhat since then, a rare, beautiful quilt in perfect condition could still fetch $100,000 or more today, says Nancy Druckman, Sotheby’s folk art specialist.

By presenting the exhibit free to the public, the Folk Art Museum hopes to attract new audiences. “This should not be looked at solely as a quilt exhibition,” says Ms. Warren. “The design is so extraordinary that it should appeal to those with an interest in design and graphics.”

She also sent this along . . . looks very cool . . . you can stop by on your way back to the city.  🙂

Sheila Hicks: 50 Years
March 24 – August 7, 2011
at ICA Philadelphia

The Institute of Contemporary Art (ICA) presents Sheila Hicks: 50 Years, the first major retrospective to honor this extraordinary American artist. Sheila Hicks has built an international reputation with her two- and three-dimensional works in fiber. Her remarkably far-reaching artistic focus has encompassed painting, sculpture, photography, weaving, fabric design, writing, publishing, teaching and collaborations with architects. Her early work of the 1960s was at the forefront of experimentation in sculpture. By the 1980s it had taken hold. Since that time, her unique work has explored the dynamic interactions of color and the skills required to hone an aesthetic vision in multiple media.

 

I looked on her website . . . such beautiful stuff.

 

Written by bevanddara

March 21, 2011 at 12:33 pm

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: